Mannerism, a painting style of heightened
drama based on imitating the ideas and figures of the High Renaissance
while manipulating the images, came about in the 1520s and lasted only until the
1580s. Mannerist painting is most notably recognized for attention to
artificiality. Francesco
Parmigiano's Madonna with the Long Neck
(1534-40) typifies the unique style of the Mannerist era. Though a traditional subject,
Parmigiano’s painting differs drastically from the High Renaissance Madonna and
Child depictions.
The unbalanced and asymmetric
composition rejects the harmonious paintings of Raphael and Michelangelo. The figures in this piece crowd to the
front left of the composition, so much that the artist later added a small
figure in the bottom right to add a sense of depth and balance The heads of five women overlook the
Madonna, who towers over them.
Madonna profile, photo courtesy of Wikipedia CC |
The man in the far right, unfinished,
photo courtesy of Wikipedia CC
|
There is little architecture to
provide a sense of space, depth, or size.
The Madonna’s cloak fills the entire center of the piece, hiding
whatever throne she sits on. The
only architecture is a line of columns in the background, which serve no
substantial architectural purpose but add an odd illusion of never ending
depth.
The elongated baby Jesus, photo courtesy of Wikipedia CC |
Lastly, the Madonna and Child are
strangely out of proportion. The
body of baby Jesus is childlike yet elongated, so he drapes over his mother’s
lap, while the body of Mary is also largely out of proportion. Her elongated body also stretches to
tower over the figures in the painting, while her legs are too large, in order
to account for her large son.
The painting, ultimately,
represents the artist’s reaction to the High Renaissance. Artists of the mannerist era were
reacting not only to the style of High Renaissance painting, but also to the
Catholic Church, which was undergoing a great deal of turmoil at the time.
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